Dacker (Synquentium) – Immersion in Total Emptiness

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1. Immersion in Total Emptiness – 79:52

𝘛𝘩𝘦 𝘨𝘦𝘯𝘦𝘴𝘪𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘢𝘭𝘣𝘶𝘮 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘢 𝘷𝘦𝘳𝘺 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘢𝘯𝘥 𝘦𝘮𝘰𝘵𝘪𝘰𝘯𝘢𝘭 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘵𝘰 𝘮𝘦 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘱𝘢𝘴𝘵 𝘵𝘦𝘯 𝘺𝘦𝘢𝘳𝘴.
𝘛𝘩𝘦 𝘰𝘳𝘪𝘨𝘪𝘯𝘢𝘭 𝘷𝘦𝘳𝘴𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘮𝘶𝘴𝘪𝘤 𝘸𝘢𝘴 𝘤𝘳𝘦𝘢𝘵𝘦𝘥 𝘰𝘯 𝘵𝘩𝘦 18𝘵𝘩 𝘰𝘧 𝘈𝘱𝘳𝘪𝘭 2014.
𝘔𝘺 𝘵𝘩𝘦𝘯 𝘨𝘪𝘳𝘭𝘧𝘳𝘪𝘦𝘯𝘥 𝘸𝘢𝘴 𝘭𝘺𝘪𝘯𝘨 𝘰𝘯 𝘵𝘩𝘦 𝘴𝘰𝘧𝘢 𝘤𝘭𝘰𝘴𝘦 𝘵𝘰 𝘮𝘺 𝘪𝘯𝘴𝘵𝘳𝘶𝘮𝘦𝘯𝘵𝘴 𝘢𝘯𝘥 𝘢𝘴𝘬𝘦𝘥 𝘪𝘧 𝘐 𝘤𝘰𝘶𝘭𝘥 𝘱𝘭𝘢𝘺 𝘴𝘰𝘮𝘦 𝘮𝘶𝘴𝘪𝘤 𝘧𝘰𝘳 𝘩𝘦𝘳.
𝘚𝘰 𝘐 𝘴𝘦𝘭𝘦𝘤𝘵𝘦𝘥 𝘢 𝘳𝘢𝘯𝘥𝘰𝘮 𝘴𝘰𝘶𝘯𝘥 𝘰𝘯 𝘮𝘺 𝘙𝘰𝘭𝘢𝘯𝘥 𝘟𝘗-60 𝘢𝘯𝘥 𝘴𝘵𝘢𝘳𝘵𝘦𝘥 𝘪𝘮𝘱𝘳𝘰𝘷𝘪𝘴𝘪𝘯𝘨.
𝘛𝘩𝘦 𝘴𝘰𝘶𝘯𝘥 𝘸𝘢𝘴 𝘴𝘰 𝘸𝘰𝘯𝘥𝘦𝘳𝘧𝘶𝘭 𝘵𝘩𝘢𝘵 𝘐 𝘬𝘦𝘱𝘵 𝘱𝘭𝘢𝘺𝘪𝘯𝘨 𝘧𝘰𝘳 𝘴𝘰𝘮𝘦 𝘵𝘪𝘮𝘦, 𝘴𝘭𝘰𝘸𝘭𝘺 𝘴𝘭𝘪𝘱𝘱𝘪𝘯𝘨 𝘪𝘯𝘵𝘰 𝘢 𝘵𝘳𝘢𝘯𝘤𝘦-𝘭𝘪𝘬𝘦 𝘴𝘵𝘢𝘵𝘦 𝘰𝘧 𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘯𝘦𝘴𝘴.
𝘞𝘩𝘦𝘯 𝘐 𝘧𝘪𝘯𝘪𝘴𝘩𝘦𝘥 𝘱𝘭𝘢𝘺𝘪𝘯𝘨, 𝘴𝘩𝘦 𝘴𝘭𝘰𝘸𝘭𝘺 𝘰𝘱𝘦𝘯𝘦𝘥 𝘩𝘦𝘳 𝘦𝘺𝘦𝘴 𝘢𝘯𝘥 𝘴𝘢𝘪𝘥 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘮𝘶𝘴𝘪𝘤 𝘩𝘢𝘥 𝘵𝘢𝘬𝘦𝘯 𝘩𝘦𝘳 𝘰𝘯 𝘢 𝘨𝘢𝘭𝘢𝘤𝘵𝘪𝘤 𝘫𝘰𝘶𝘳𝘯𝘦𝘺 𝘢𝘯𝘥 𝘵𝘩𝘢𝘵 𝘴𝘩𝘦 𝘧𝘦𝘭𝘵 𝘵𝘩𝘢𝘵 𝘴𝘩𝘦 𝘩𝘢𝘥 𝘣𝘦𝘦𝘯 𝘵𝘳𝘢𝘷𝘦𝘭𝘭𝘪𝘯𝘨 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘴𝘵𝘢𝘳𝘴.
𝘞𝘦 𝘣𝘰𝘵𝘩 𝘨𝘰𝘵 𝘷𝘦𝘳𝘺 𝘦𝘮𝘰𝘵𝘪𝘰𝘯𝘢𝘭 𝘸𝘩𝘦𝘯 𝘐 𝘵𝘰𝘭𝘥 𝘩𝘦𝘳 𝘵𝘩𝘪𝘴 𝘸𝘢𝘴 𝘦𝘹𝘢𝘤𝘵𝘭𝘺 𝘮𝘺 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘢𝘴 𝘸𝘦𝘭𝘭. 𝘚𝘰 𝘸𝘦 𝘢𝘨𝘳𝘦𝘦𝘥 𝘵𝘩𝘪𝘴 𝘱𝘪𝘦𝘤𝘦 𝘰𝘧 𝘮𝘶𝘴𝘪𝘤 𝘴𝘩𝘰𝘶𝘭𝘥 𝘣𝘦 𝘰𝘶𝘳 𝘴𝘱𝘦𝘤𝘪𝘢𝘭 𝘴𝘰𝘯𝘨.
𝘛𝘩𝘦𝘯 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘪𝘻𝘢𝘵𝘪𝘰𝘯 𝘤𝘢𝘮𝘦 𝘵𝘩𝘢𝘵 𝘐 𝘩𝘢𝘥 𝘣𝘦𝘦𝘯 𝘱𝘭𝘢𝘺𝘪𝘯𝘨 𝘧𝘰𝘳 𝘢𝘭𝘮𝘰𝘴𝘵 𝘢𝘯 𝘩𝘰𝘶𝘳, 𝘸𝘩𝘪𝘭𝘦 𝘪𝘵 𝘧𝘦𝘭𝘵 𝘢𝘴 𝘪𝘧 𝘪𝘵 𝘩𝘢𝘥 𝘣𝘦𝘦𝘯 𝘰𝘯𝘭𝘺 20 𝘮𝘪𝘯𝘶𝘵𝘦𝘴.

𝘈𝘣𝘰𝘶𝘵 𝘢 𝘮𝘰𝘯𝘵𝘩 𝘭𝘢𝘵𝘦𝘳, 𝘰𝘯 𝘵𝘩𝘦 21𝘴𝘵 𝘰𝘧 𝘔𝘢𝘺 2014, 𝘐 𝘧𝘦𝘭𝘵 𝘵𝘩𝘢𝘵 𝘐 𝘩𝘢𝘥 𝘵𝘰 𝘳𝘦𝘤𝘰𝘳𝘥 𝘵𝘩𝘪𝘴 𝘱𝘪𝘦𝘤𝘦 𝘰𝘧 𝘮𝘶𝘴𝘪𝘤 𝘢𝘴 𝘢 𝘵𝘦𝘴𝘵𝘢𝘮𝘦𝘯𝘵 𝘵𝘰 𝘵𝘩𝘢𝘵 𝘴𝘱𝘦𝘤𝘪𝘢𝘭 𝘮𝘰𝘮𝘦𝘯𝘵 𝘢 𝘮𝘰𝘯𝘵𝘩 𝘦𝘢𝘳𝘭𝘪𝘦𝘳.
𝘚𝘰 𝘐 𝘰𝘯𝘤𝘦 𝘮𝘰𝘳𝘦 𝘪𝘯𝘴𝘵𝘢𝘭𝘭𝘦𝘥 𝘵𝘩𝘦 𝘙𝘰𝘭𝘢𝘯𝘥 𝘟𝘗-60, 𝘤𝘩𝘰𝘴𝘦 𝘵𝘩𝘦 𝘴𝘢𝘮𝘦 𝘴𝘰𝘶𝘯𝘥, 𝘱𝘳𝘦𝘴𝘴𝘦𝘥 ‘𝘙𝘦𝘤𝘰𝘳𝘥’ 𝘢𝘯𝘥 𝘴𝘵𝘢𝘳𝘵𝘦𝘥 𝘪𝘮𝘱𝘳𝘰𝘷𝘪𝘴𝘪𝘯𝘨 𝘢𝘨𝘢𝘪𝘯.
𝘛𝘩𝘦 𝘳𝘦𝘴𝘶𝘭𝘵 𝘢𝘧𝘵𝘦𝘳 80 𝘮𝘪𝘯𝘶𝘵𝘦𝘴 𝘪𝘴 𝘸𝘩𝘢𝘵 𝘺𝘰𝘶 𝘩𝘦𝘢𝘳 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘢𝘭𝘣𝘶𝘮. 𝘞𝘪𝘵𝘩𝘰𝘶𝘵 𝘦𝘥𝘪𝘵𝘴 𝘰𝘳 𝘰𝘷𝘦𝘳𝘥𝘶𝘣𝘴, 𝘣𝘶𝘵 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘴𝘢𝘮𝘦 𝘦𝘮𝘰𝘵𝘪𝘰𝘯 𝘢𝘴 𝘵𝘩𝘦 𝘰𝘳𝘪𝘨𝘪𝘯𝘢𝘭 𝘱𝘪𝘦𝘤𝘦 𝘰𝘧 𝘮𝘶𝘴𝘪𝘤.

𝘚𝘩𝘦 𝘭𝘰𝘷𝘦𝘥 𝘵𝘩𝘦 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘢𝘯𝘥 𝘭𝘪𝘴𝘵𝘦𝘯𝘦𝘥 𝘵𝘰 𝘪𝘵 𝘢 𝘭𝘰𝘵. 𝘏𝘰𝘸𝘦𝘷𝘦𝘳, 𝘴𝘢𝘥𝘭𝘺, 𝘸𝘦 𝘣𝘳𝘰𝘬𝘦 𝘶𝘱 𝘢 𝘺𝘦𝘢𝘳 𝘭𝘢𝘵𝘦𝘳.
𝘌𝘷𝘦𝘳𝘺 𝘵𝘪𝘮𝘦 𝘐 𝘭𝘪𝘴𝘵𝘦𝘯 𝘵𝘰 𝘵𝘩𝘪𝘴 𝘮𝘶𝘴𝘪𝘤 𝘐 𝘢𝘮 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘴𝘢𝘮𝘦 𝘨𝘢𝘭𝘢𝘤𝘵𝘪𝘤 𝘫𝘰𝘶𝘳𝘯𝘦𝘺 𝘢𝘨𝘢𝘪𝘯, 𝘢𝘯𝘥 𝘐 𝘳𝘦𝘭𝘪𝘷𝘦 𝘵𝘩𝘢𝘵 𝘴𝘱𝘦𝘤𝘪𝘢𝘭 𝘮𝘰𝘮𝘦𝘯𝘵 𝘢𝘴 𝘪𝘧 𝘸𝘦 𝘸𝘦𝘳𝘦 𝘴𝘵𝘪𝘭𝘭 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳.

𝘗𝘦𝘵𝘦𝘳 𝘋𝘦𝘬𝘬𝘦𝘳
𝘚𝘦𝘱𝘵𝘦𝘮𝘣𝘦𝘳 2024

Composed, produced and performed by Peter Dekker.
Recorded at Point Studio, Amstelveen, May 21st, 2014, using a Roland XP-60.
Pre-mastering by Remy Stroomer at Exhibition of Dreams, June 2024.
Mastering and post-production by Wouter Bessels, June 2024.
Artwork and lay-out by Remy Stroomer.
Inner sleeve text revisited by Remy Stroomer and finalized by Phil Booth.
Special thanks to Oscar Postma for coming up with the name “Synquentium”
and Michel Huygen for his blessings.